I recently went to the ICA and got to see the Mark Bradford exhibit. It got me excited about the idea of introducing map imagery to paintings using resist techniques. I first tried cutting masking tape into little "blocks" and placing them in city-like formations, but it didn't work too well. Not only was it a bit too difficult to place them accurately, but they didn't actually resist water fully enough, and it was hard to get them into a shape that read as a city and not just a grid. They kept reminding me of old-style telephone keypads.
Watercolor wash over tape:
After removing tape:Then I tried using some watercolor masking fluid I had used for things like clouds in an earlier series. Because the fluid dries into rubber so quickly, it was hard to paint fine enough lines, so the effect was more like batik than the spindly city lines I'm more used to. If I could get finer lines, though, I think it would be effective, since it did resist the watercolor very well.
I would probably want to continue by making a larger version of the last experiment, with a finer brush. Any other ideas for things I should try?
Have you considered combining the two techniques (wash/resist and ink)? A few precise black lines might make an interesting contrast to the soft background, like a pinch of cayenne in the stew or a triangle among the violins.
ReplyDeleteEmily,
ReplyDeleteAs you may know, I love process, and your descriptions here make this post very though provoking. If anything comes to mind as far as other ideas, I will let you know. Keep experimenting, and I'm sure you will fall right into the best method.
I like this title too...when I first glanced at it, I though you were trying to "resist" doing map themes. After reading the content, I had to smile!
Take care,
Brian